American Hustle needed more, well, hustle

The talented and established foursome of Jennifer Lawrence, Amy Adams, Christian Bale, and Bradley Cooper were poised for a smash hit when they released American Hustle, a tale of con artists, the Mob, and the FBI. I left the theater feeling like this film was full of unfulfilled potential however.

Christian Bale is a ’70’s mystery man who dabbles in laundromats and ponzi schemes. He meets Amy Adams, an attractive loner herself, and the two begin an affair that incorporates Adams as the frontwoman in the couple’s simple con to entice desperate investors and collect on a non-refundable down payment. Bradley Cooper enters their office one day playing the part of one of those desperate investors, but is setting the two up for Federal charges. As a part of a deal to secure their freedom, and partly to appease Cooper’s consuming ego, Bale and Adams agree to aid Cooper’s FBI career in entrapping politicians in bribery and extortion charges. Cooper wants the best con artists to help in his con on the part of the government agency in order to bust corrupt public servants. The movie proceeds in a twisted web of “who’s conning who” which thankfully avoids the ever popular “got-ya” ending but the pace is far too slow.

Many of the background stories that were necessary to explain characters’ ambition, motivation, and propensity for trust vs. conning were very much underdeveloped. Many times the audience was asked to accept that a certain character would trust another just because an aspect of their backstory had been enumerated one sentence before such as when Christian Bale uses his Bronx roots to gain the trust of Camden native, Mayor Carmine Belito, to convince him to take a bribe that he had moments earlier vehemently turned down and was appalled by the notion altogether. Because of three lines of dialogue, his tune changes completely and the plot continues. It just lacked authenticity by its own standards at times.

I’ll spare details but I would not recommend paying to see this movie in theaters. The acting is very good however. Jennifer Lawrence was infuriating which “made” her character. Amy Adams was seductive and convincing. Bradley Cooper was pathetic, enraged, and erratic which differed greatly from Christian Bale’s calculated, small scoped approach to conning, providing for an interplay between these two lead characters which should’ve been expounded upon. Overall, wait until this movie hits cable networks and see what you think but save your Christmas money this month and pass on American Hustle. It is a movie that couldn’t find its identity. It lacked hustle if you will…

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