The Halo Movie : How To Make it Well

There needs to be a Halo movie. Just watch these two shorts (the first directed by Neill Blomkamp) and just agree with me on how awesome this could be.

There’s been speculation since the acclaimed release of Halo 2 that Microsoft would team up with a movie studio to make a film out of their blockbuster franchise. Numerous projects have started and stopped, with the names Peter Jackson and Neill Blomkamp attached, but nothing has ever gained any traction.  Although Halo 4 Forward Unto Dawn could be viewed as the Halo movie, and although it was in fact fantastically well done and about an hour and a half in total length, at a $10 million budget it comes to about 1/10th or 1/15th of what a large production would cost. With the upcoming release of the Xbox One and Steven Spielberg’s promise to release a Halo TV series along with it, there is much doubt about the creation of a Halo film happening at all. However, if it were to happen for real, here’s how it should happen.

1. The Plot

Although a first person shooter game, the overall plot to the Halo series is a rather good one, with scores of books and lore being spawned outside of the video game series. To me, it makes the most sense to tackle the series from the exact beginning, or to tell the story as mostly presented in Halo : Combat Evolved. Although criticized for its seemingly uncanonical approach, besides the game we can draw on the book Halo : The Flood amongst anything else in the Halo universe to help support the plot. I’m not going to rehash the plot of the entire game and novel for you, if you really want to know what happens just play the game or read the book.

The movie will begin with a prelude similar to a 007 movie or JJ Abrams’ Star Trek. In it, we’ll see Noble Six from Halo Reach delivering the package to Captain Keyes, who then boards the Pillar of Autumn and takes off in conjunction with Cortana’s coordinates under heavy enemy fire. As the Pillar heads into Slipspace and arrives at Halo Installation 04 with the enemy already present there, the movie really gets underway.

In order to punch the ticket for Blockbuster status, the Halo movie will need to follow the four main characters, Captain Keyes, Sgt. Avery Junior Johnson, Master Chief John 117, and Cortana. The audience will have a tough time identifying with the Spartan supersoldier Master Chief during the onset of the film, which is where Keyes and Johnson have to take over, by giving the mere humans the emotional roles. It will seem at first that MC is just a cold aloof soldier that is really good at fighting and does cool stuff, but once the credits roll the writers and directors will have to shift the audience’s identification from Johnson and Keyes to John and Cortana. Master Chief will partially evolve through the movie as his relationship with Cortana is brought to light, and he begins to reveal his human side other than what could be taken for as a cyborg in a metal suit. Given that Keyes is imprisoned and killed about 2/3 of the way through, the transitional period from him being the emotional center to Master Chief becoming the relatable crux will need to happen right at the instant of his passing. Keyes’ humanity can be shown through his commanding decisions and flashbacks to his daughter Miranda, and her mother Catherine Halsey. Johnson is more of the comic relief badass marine, who has seen more than his fair share of war (especially by being where the war started and being on Harvest) and is scarred by it, yet continues to trudge on despite his personal losses.

The risky section of this movie is there are times where the main characters will all be split up doing different things. Although not often, there will be occasions when Keyes will be at one place, Johnson another, Master Chief another, and the villains yet another. The writers may have to mess with canon a little bit to simplify things, as when in films such as Return of the Jedi, following three or four different character lines at once can be too much. They will need to take a page from The Return of the King and keep everything simple and coherent. Although you have what was happening in Mordor, Gondor, Rohan, Minas Morgul, and the Paths of the Dead all at once, everything came together seamlessly by not spending too much time apart and focusing on the most important parts of the film. You don’t switch scenes in the middle of battle or of a major plot point, instead you let it play out until such a time where everything coherently makes sense.

The other key part of this movie will be the main villain. Although the parasitic flood will turn out to be the main enemy, the film needs to craft Thel ‘Vadam (the Arbiter) as the antagonist. As shown in the beginning cutscenes from Halo 2, he is the Supreme Commander of the Fleet of Particular Justice that follows the Pillar of Autumn to Halo. A lot of movies nowadays are make or break when it comes to the villain. Iron Man 3 was rubbish because of an awful villain, whereas The Dark Knight was amazing because of a fantastic one. The directors and writers will need to draw from other films that have alien species as antagonists (I’m mostly looking at Star Trek and perhaps parts of District 9 in this case) and create a humanistic/modern feel to them, such as juxtaposing the religion of the Covenant to overzealous terrorism, and the Covenant corruption and caste system to present day examples of government scandals and class separation. The thing we learn about Thel throughout the movie is that although he’s the villain, he isn’t exactly in the wrong as he is merely following the orders of the Prophets. Even though The (future) Arbiter the primary antagonist, he is more of a sympathetic one guarded by codes of honor and loyalty.

Finally, the movie will have to run in a non-linear style, similar to Zack Snyder’s Man of Steel. We’ll need flashbacks explaining the origins of the Master Chief and the Spartan program, along with some explanations on the Covenant side of how the war came to be. Starting off with the destruction of Reach is a good introduction for the characters and action, but as the film progresses there will need to be seamless explanations for those that are not familiar with the Halo universe.

2. The Cast

The problem with casting for a Halo movie is that your main character, The Master Chief John 117, is encased in his high-powered suit, the Mjolnir Mark V body armor the entire time. And in order to stay true to Halo lore so far, you can’t reveal his face as it sits under the suit. Which means, in order to better connect with your audience, Master Chief needs to be one of the films main characters, if not the main one. The good thing about this is that the iconic voice of the MC for the past 12 years, Steve Downes, can remain in his role, and we can save some room on the budget as far as casting goes. But in order for a more humanistic feel, who do we cast in other roles?

First and foremost, Captain Jacob Keyes. George Clooney or Bruce Greenwood. Greenwood already fits the bill as being Captain Christopher Pike and Star Trek, but Clooney has the acting chops to pull it off very well, creating an emotional and identifiable character.

Secondly, Sgt. Avery Junior Johnson. Either Idris Elba or Denzel Washington. Again, same scenario as above. Elba played a fantastic Marshal Pentecost in Pacific Rim, but Washington is the superior actor and has a better feel for an ironic comic relief role. Plus, as Man on Fire, American Gangster, and The Book of Eli have proved, he’s already got the badass part down.

Third, Catherine Halsey needs to be Bonnie Hunt. Because, who else in Hollywood can you picture playing Halsey well in a minor role?

Cortana can still be voiced by Jen Taylor and Thel ‘Vadam as Keith David as dictated in the video game.

Casting Miranda Keyes as an adult is something I would choose not to do for this movie, simply because if there’s a sequel made she needs to be a main character, and actress continuity for a small part in this installment to a starring role in the next might be tough to find.

3. The Director

I would love for any of the following directors to be in charge of this movie. Those being JJ Abrams, James Cameron, Christopher Nolan, or Zack Snyder. Unfortunately, Cameron and Nolan only deal in their pet projects, and Abrams is tied up in Star Wars and Star Trek just as Snyder is tied up in the DC Justice League universe.

Which leaves three names out there, two that we’ve already visited in Neill Blomkamp and Peter Jackson. After seeing what Guillermo del Toro did with Pacific Rim, and his ties with Ron Perlman (who is Lord Hood in Halo 2 and 3), his name should be submitted for candidacy as well.

And in all honesty, I’d be okay with any of those men directing in conjunction with production from Steven Spielberg. I like Blomkamp’s sci-fi flicks in District 9 and Elysium, but I don’t know how well he would do creating a PG-13 movie, as he does like to attend the Peter Jackson school of gore at times. Under tutelage from Spielberg I think he could flourish and create a spellbinding sci-fi epic, but that is all up to him.

Should the Halo movie be made as I spell it out? If you have any ideas that shine brighter than mine, let me know in the comments. There’s nothing that I love more than speculation on something that will never happen.

 
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